Fine Arts
Permanent URI for this collectionhttps://uwspace.uwaterloo.ca/handle/10012/9878
This is the collection for the University of Waterloo's Department of Fine Arts.
Research outputs are organized by type (eg. Master Thesis, Article, Conference Paper).
Waterloo faculty, students, and staff can contact us or visit the UWSpace guide to learn more about depositing their research.
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Browsing Fine Arts by Author "Taylor, Bruce"
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Item 9 Sum Sorcery(University of Waterloo, 2017-04-25) Hildreth, Alexis; Cooper, Tara; Cluett, Cora; Taylor, Bruce9 Sum Sorcery is a multimedia exhibition comprised of video and sculpture. Nine screens depict 'The Player' performing with an assortment of augmented found materials within the framework of a board game. The Player continually re-organizes the components of the game-space (a social, political, psychological, and spiritual body) in an attempt to come to terms with their place in it. In addition to appearing in the videos, the game's components are present physically in the gallery, enclosed in a vitrine. Each video offers a first-person perspective of The Player in various states of communion with the game system. This system complicates itself through The Player's desire to simultaneously project narrative onto, and remove narrative from, the components of the game. 9 Sum Sorcery encourages engagement in a spiritual ordeal, where the potential for transformative power can become an ossifying psychosis in the absence of The Player's and the visitors' capacity to de-code and re-code meaning.Item You Can Never Go Home(University of Waterloo, 2016-05-16) Akkermans, Jennifer; Cooper, Tara; Taylor, BruceMy thesis exhibition, You Can Never Go Home, reflects the idea of irreconcilable, parallel homes, one that’s here and one that’s there. Moving from Calgary, Alberta, to Waterloo, Ontario, to pursue my Master of Fine Arts, I have used myself as a two-year case study to examine how one might make a new place a home. The installation consists of an abundance of handmade objects: life-sized selfies displayed in lightboxes, sculptures in the form of houses and other symbolic buildings (some containing lightboxes and short video loops), as well as my collections of curios, tools and building materials. As an installation, the work examines concepts, concerns and emotions that accompany the process of moving a long distance— longing, memory, nostalgia, absence, belonging, family, lost-ness, place, time, anxiety, resilience, futility, humour, loneliness, rhythm and routine. It is an anxious, obsessive, yet humourous manifestation of my attempts to feel at home in a new place, just as I am about to leave.